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Pakistani literature

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Pakistan literature, that is, the literature of Pakistan, as a distinct literature that gradually came to be defined after Pakistan gained nationhood status in 1947, emerging out of the Indian English Literature tradition.[1] The shared tradition of Urdu literature and English literature of India was inherited by the new state. Over a period of time a body of literature unique to Pakistan has emerged in nearly all major Pakistani languages, including Urdu, English, Punjabi, Balochi, Pushto and Sindhi.[1]

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[edit] History

The nature of Pakistani literature soon after independence aroused controversy among writers due to its being centered heavily on the negative events related to the India-Pakistan partition.[1] According to Gilani Kamran (GC University), Pakistani literature was expected to take a new direction along with the new state of Pakistan at this point, but did not immediately meet this expectation.[1]

Saadat Hassan Manto (1912-1955), a prominent writer of short stories of the South Asia, produced great literature out of the events relating to the India-Pakistan independence. His literature is considered to be progressive in its tone and spirit. According to several critics it had not only evolved its own identity, but also had played a significant role in documenting the hardships and hopes of Pakistan in the latter part of the 20th century.[1]

Today, Pakistani literature has taken a shape of its own by depicting the complex class system and common man. Contemporary authors such as. It also has evolved in merging Urdu literary forms and English literature leading to experimentation. Many writers of fiction borrow from English and vice versa.

Pakistani literature's main platform is the Pakistan Academy of Letters, chaired by Iftikhar Arif.

[edit] Pakistani literature in English

English language fiction from Pakistan began to receive international recognition in the latter part of the 20th century, pioneered by figures such as Bapsi Sidhwa, the Parsi author of The Crow Eaters, Cracking India (1988) and other novels. In the diaspora, Sara Suleri published the literary memoir, Meatless Days (1989), Hanif Kureshi commenced a prolific career with the novel The Buddha of Suburbia (1990), which won the Whitbread Award, and Aamer Hussein wrote a series of acclaimed short story collections.

In the early years of the 21st century, a number of Pakistani novelists writing in English won or were shortlisted for international awards. Mohsin Hamid published his first novel Moth Smoke (2000), which won a Betty Trask Award and was a finalist for the PEN/Hemingway Award; he has since published his second novel, The Reluctant Fundamentalist (2007). Kamila Shamsie was shorlisted for the John Llewelyn Rhys award for her third novel, Kartography (2002); she has since published her fourth novel, Broken Verses. Uzma Aslam Khan was shortlisted for the Commonwealth Writers Prize (Eurasia region) for her second novel, Trespassing (2003). British-Pakistani writer Nadeem Aslam won the Kuriyama Prize for his second book, Maps for Lost Lovers (2004). Emerging authors Kamila Shamsie and Daniyal Mueenuddin have garnered world wide attention.[2]

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